Her recent MoCP large-scale exhibitions Beautiful Diaspora / You Are Not the Lesser Part(2022) and LOVE: Still Not the Lesser (2023) brought together cross-diasporic conversations between global artists Xyza Cruz Bacani, Widline Cadet, Cog•nate Collective, Sunil Gupta, Kelvin Haizel, Ngadi Smart, and more; and celebrations of love and desire by Jorian Charlton, Jess T. Dugan, and Mous Lamrabat, among others.
Her Chicago Architecture Biennial 2021 partner program and exhibition, RAISIN (vol. 1), commissioned several new artworks and generated community among more than 35 global artists, including Işıl Eğrikavuk, Amanda Williams, and Tintin Wulia. She has curated additional large-scale exhibitions for the MoCP, Hyde Park Art Center, MSU Eli and Edythe Broad Art Museum by Zaha Hadid, and more. She has separately organized and worked on a number of other projects and/or arts research since 2004, in New York, Tokyo, Havana, Vietnam, Edinburgh, Darby/London, Berlin, Juárez, and Chicago; and held staff roles in New York and Chicago. Previous grant supporters of her exhibitions include the National Endowment of the Arts, Andy Warhol Foundation, The Joyce Foundation; BMW Foundation, Humanity in Action/Alfred Landecker Foundation, School of the Art Institute of Chicago, Chicago Department of Cultural Affairs, and others.
Throughout her present tenure at MoCP, she introduced an array of new acquisitions into the collection, including works by Xyza Cruz Bacani, Jorian Charlton, Jessica Chou, Jess T. Dugan, Işıl Eğrikavuk, Citlali Fabian, Sunil Gupta, Martine Gutierrez, Hassan Hajjaj, Mari Katayama, Kierah KIKI King, Mous Lamrabat, Farah Salem, Ngadi Smart, Yuge Zhou, and more. In exhibitions, her additional MoCP projects include Shore/Lines by Regina Agu (2025), Shift (co-curator 2023), and Martine Gutierrez (2021).
Through her work in the Department of Arts Administration & Policy at SAIC, Asha Iman expanded direct curricular links to global arts, culture, and multimedia discourses by inviting and hosting more than 100 virtual and in-person discussions with guests such as Yane Calovski and Hristina Ivanoska, 2015 International Venice Biennial – Pavilion of the Republic of Macedonia artists; the late Bisi Silva, CCA Lagos founder; and David Ennio Minor, ballet dancer and movement adviser for global science and robot technology. Her additional teaching innovations include: piloting a graduate-level curriculum shared between in-person and virtual classrooms in Chicago, United States and Rio de Janeiro, Brazil, as part of the "Spheres of Cultural Valuation" graduate-level course on comparative cultural policy and global arts ecosystems; piloting and leading a core professional development undergraduate course "Being a Woman of Color in the Arts"; leading and expanding the department’s undergraduate advanced curatorial theory and practice course.
Asha Iman is frequently invited as a distinguished jury reviewer for national and international artist awards and residencies, including the East African Photography Awards, Earth Photo Award by Forestry England and the Royal Geographical Society, American Academy in Rome / Terra Foundation Affiliated Fellowship, Visual Studies Workshop NY, University of Chicago Arts + Public Life, 3Arts Chicago, Arts Work Fund Chicago, HARPO Foundation, and more. She has been an invited portfolio reviewer and crit panelist for the FORMAT International Photography Festival UK, Rencontres d'Arles France, FotoFest Houston, Belfast Photo Festival, University of Chicago Department of Visual Arts, Rhode Island School of Design, Chicago Artist Coalition, and others.
Veal has been a guest lecturer and panelist for international cultural institutions such as GRAIN Projects UK, Pakhuis de Zwijger Amsterdam, Istituto Italiano di Cultura Chicago, Humanity In Action – Netherlands, San Diego State University, Midwest Art Historical Society, School of the Art Institute of Chicago, and more. She is active in the ORACLE Conference of International Photography Curators, and Independent Curators International – Curatorial Forum and Chicago Assembly (2023 cohort).
Additionally, Veal bridges interdisciplinary relationships between the arts, government, corporate and nonprofit sectors through her role as a Senior Fellow of Humanity in Action (EU/UK/US), member of the BMW Foundation Responsible Leaders Network (Global Table), and a Chicago Council on Global Affairs’ Emerging Leader. She is a board member of Filter Photo (Chicago), and was a recent board member of Experimental Sound Studio and Audible Gallery. (June 2024)
Asha Iman Veal earned her BA at New York University’s Gallatin School of Individualized Study, focusing on contemporary literary practices, nonfiction narratives, and creative examples that deepen the understanding of contemporary multiculturalism. She earned her MFA in creative writing at The New School (NY), where she completed her literary nonfiction thesis Brooklyn (the Black), which she later published in 2015.
She earned her MA at the School of the Art Institute of Chicago. Her thesis, "The Tokyo Show: Black & Brown Are Beautiful," presented research on: Tokyo-based arts ecologies and possible site-partners for an independent exhibition (field study, 2014 and 2016); the identification and analysis of curatorial models based on historic exhibitions and contemporary projects; a visual critical review of global arts depictions of Black America c.1960s; and interviews with historic American artists including sculptor Richard Hunt, Warhol actress Abigail Rosen McGrath, and with Louise Greaves, the partner of late filmmaker William Greaves.
